Work In Progress, Portrait of My Grandson

This is an update of the progress of the painting I am currently working on.  Portraits are so neat to work on.  So much to learn.  There are many small differences in people's faces that make us all unique.

I am getting closer to finishing him.  Right now I am zeroing in on making the eyes and lips as accurate as I can get them.  Also a few areas on the face need work to correct my mistakes and correct values of the skin tones.  I don't like the left chin shadow.  Gotta fix that.  I like the back ground and will probably leave the t-shirt as is.  Comments are welcome.  What do you think of this?

Tomorrow, God willing, another day in the studio.

Jimmie

Work In Progress, WIP Portrait Study of My Grandson

I thought you might like to see a couple of stages of a work in progress.  This is an oil portrait on a 14x11 canvas that I started a couple of weeks ago and have been working on it in intervals with other paintings.  After sketching an outline lightly with pencil on the canvas, I used a thin mixture of burnt umber and turpenoid to build a grisaille monotone image using a large filbert.  I call it a rough in.  This is the first time I did a grisaille to this degree.  Usually, just outline the main features and hair, then start painting.  Building the monotone was fun and familiarizes the painter with the image features. It also provides foundation to yield a likeness quickly when the paint is applied.  I am still working the painting with layers of flesh tones and improving errors on the features.  I call these opportunities.  I see one already in  the lips.  It's easier to see errors sometimes when the photos are lined up side by side.  This is an easy correction I can do next session.

I will post the finished painting, hopefully soon.

Jimmie